Hello all, Mary Ellen here.
I come from a family of folks who spend their days immersed in math and science. Except for one. I have a niece who loves history, in all of its forms. She is currently living in the Washington D.C. area, discovered this exhibit at the DAR museum, and sent me the link.
Eye on Elegance is an exhibit of quilts from the Maryland and Virginia area. This “show” online is wonderful for those of us who will not be in Washington soon. There are video clips from the curator, and many photos of the quilts which you can explore. You are able to zoom in and look at the details of the quilts. If you are interested in the history of our art form, I think you’ll find this very interesting. So much to learn about the beginnings of quilting here in the US, and lovely things from an artistic standpoint as well. I am always amazed at what quilters with little mathematical education, and the most basic of tools were able to come up with geometrically. The star blocks are challenging for us now with all sorts of tools, including computers, to help us draft the blocks. I can’t imagine how they were able to plan the piecing the “old way”.
Enjoy. You’ll want a cup of tea, and some time to linger over this exhibit. Click here.
Hello all, Mary Ellen here.
The demo night at guild last month was a success as always. My only wish is that there would be a way for those who are demonstrating could visit the other tables and see what other fun things are being shared. As Roxie announced, I will be sharing more Christmas ideas here on the blog to continue with the Christmas in July theme. Can you believe that on some of the radio stations they are already doing a countdown of the shopping days left?!! No wonder the holiday has become so commercialized. This first link I’m sharing is one of my go-to’s for free Christmas patterns of all kinds. There are ideas for quilting, sewing, crocheting, knitting, cooking… If you like the idea, you can sign up to get e-mail notifications from them, but that is not a requirement at all. Try them out here.
Today I’m going to be working on a basket from the ladies at Aunties Two Patterns. Previously I made a beach tote of theirs, and a similar smaller scale purse. Both were fun to make, and garnered compliments when I’ve used them. The basket will be for a series of Christmas demos at a local shop, but it will come home to my house when the demos are finished. I can confidently recommend the patterns from Aunties Two. I find them to be well written, with plenty of photos accompanying the directions. Not all pattern companies do a good job with the technical writing. Don’t you hate it when there are omissions or errors in the directions that you have to sort out?
(Pausing here for real life … several days go by …. humming Jeopardy theme to self)
Now here is a goldmine of patterns from Ruby McKim. Ruby was designing stitchery and pieced quilt patterns actively in the 20’s and 30’s. Those of you who are fans of redwork quilts are probably familiar with some of her designs, even if you did not know the designer’s name. Many of the antique redwork or penny square quilts still around are stitched from Ruby’s designs. I found this link at a member’s (Karen G.) Facebook page. In addition to all the patterns there is a section at the end of the “book” of patterns that were for sale with their prices. It’s fun to see what those cost back in the day. Amazing actually. click here
Spent the day at Fantasy Island with the kids yesterday. Back to the sewing machine today. Continuing on the basket I mentioned earlier in the post. The weaving will begin today!
Hello all, Mary Ellen here.
In my last post I wrote about a quilt I’d never make. In this one I’ll share some I might make. If you are a reader of the Fons and Porter magazine Love of Quilting you are familiar with the Pilgrim/Roy collection of quilts. There is an article each month about a quilt or two from that collection. If you’ll be in Boston this summer, you might want to make a stop at the exhibition described in the post at the link I’m including. It might even be worth a trip to Boston specifically to see these. click here
If you know of places that quilters would enjoy visiting while vacationing this summer, please share! A road trip is always fun.
Hello all, Mary Ellen here.
That heading really sounds like a math teacher wrote it. (a retired one!) I’m working on a sample of a block for a demo I’ll be doing in a month or so. The book has great ideas but was not edited carefully at all. I wonder who it was who fell down on the job…the designer, the copy editor, the technical writer… This is very irritating to me every time it happens. And it happens much more often than it should. (In a perfect world it would never happen!) I’m sure many a quilter has come upon errors in a pattern and blamed them on herself. Actually I find that many times the errors belong to some one else. Why don’t they check their work more carefully?
That said, our own inaccuracy in a 1/4″ seam cause us problems often. The block I am testing has 20 spokes (it’s a dresden plate variation) coming together in the center of the block. An ever so slight, one or two thread inaccuracy, multiplied by 20 becomes a problem. So in addition to finding ways to make the seams very accurate, I am also finding ways to compensate for the inevitable center issue in this block. I’ll want my students to be able to finish it, without too much frustration. This is not a block for those who think that 1/4″ inch seams aren’t as important as consistent seam widths. That philosophy really limits the kinds of blocks and projects that a quilter can complete without a lot of angst. There is only so much a “fudge factor” can do for you.
This blog post (click here) from Quilters’ Newsletter magazine talks about the process the magazine goes through to insure that what they publish is correct. I wish all publications were edited so carefully!! If while you are there, you back up to one post earlier, there is an interesting post comparing different hand quilting needles. Within that post she talks about Lady Edith’s developing fashion sense on Downton Abbey. If you are or were a garment sewer, or have an interest in historical costuming, I think you’ll enjoy the link she gives to notes about Lady Edith’s garments. I also was amazed at a photo of the actress who plays Lady Edith-what a different appearance she has in her “real” persona. (What did you think of the final episode?!)
Hello all, Mary Ellen here.
Many of the Olympic games have had associations with quilts and textiles of all sorts. The upcoming games in Sochi are no different. Here is a link to a site showing the patchwork designed for this year’s games. When you get to the page, click on “look of the games”. It will take you to pages with explanations of many of the Russian textile traditions featured in the patchwork. If you click on “collection”, or “catalogue” in the upper right hand corner, you’ll see some of the clothing using this patchwork design. So very interesting. (Click here.)
Here’s another link to the Kansas City Star quilting website from a 2011 posting with lots of information about this patchwork branding for the Olympics. Within the article is a link to another with photos of many ways the patchwork will be used in publicizing the games. I think you’ll enjoy it. I hadn’t yet noticed this patchwork in the publicity for the games I’ve seen recently, but I am not an avid sports fan. I’ll be paying more attention now, hoping to spy the “quilts”. (Click here.)
On a completely different topic, does anyone know of groups doing projects for charity (other than our own guild) who could use donations of fabrics? Not just quilting cottons-any sorts of fabrics. In a conversation with some quilting friends we talked about trying to reduce our stashes down to manageable sizes. It would feel so much better to see the fabrics we give away going to groups who would actually use them, rather than just putting them in a donation bin where they may end up being sold as rags. If you send me the name(s) of any organizations or groups in our area that you know of, either via a comment at this blog or through my guild contact information, I will organize and pass them on. Thank you.
Hello all, Mary Ellen again.
At last month’s guild meeting I picked up one of the freebie magazines that are always donated. It’s a copy of an early Quilter’s Newsletter Magazine from Feb. of 1982. Two things of note: There were profuse congratulations and excitement over the first Jinny Beyer line of fabric to be produced by V.I.P. fabrics. In the photo accompanying the article Jinny is wearing one of those quilted vests that all quilters wore back in the day. Hers features Mariner’s Compass quarters on the front. Remember those vests, girls? Come on now, fess up. You know you had one, if you’ve been at this long enough.
Secondly a four page article raved about a new technique taking quilting by storm. Let me quote the introduction to you and see if you can guess what technique they are lauding. Remember now, February of 1982.
” … is an intriguing study in contrasts and contradictions. It is old but new–traditional but contemporary. It is simple but complex, easy but hard, quick but time-consuming. It is structured and planned, but also free nd creative. With this technique one can make either abstract or representational designs. No contradictions here though: it has tremendously exciting possibilities for patchwork design, is fun to do, and is the “hottest” technique being used for quilts today.”
Got your guess ready? The title of the article this quote introduced is “Strip Piecing”. Not once in this article is a rotary cutter mentioned. In fact in the quilt pattern which accompanies the article, all the hand drawn illustrations (no computer used here!) of the procedure show scissors cutting all the 2″ strips. Wow! By the way how many strips were to be cut–with scissors–for this quilt? You got it, a total of 42 strips. Here’s a quote from the directions: “Measure and mark 2″ strips across the width of the fabric. Cut strips on the markings through all layers at once. Very sharp scissors, like Ginghers, should cut through eight layers at once, but you may find it easier to stack the fabrics in …” Can you imagine? I’m surprised that some of us stuck with this hobby. Maybe because we didn’t know how much easier it could be once we purchased the new-fangled tool called the rotary cutter!
Here’s a challenge–make your next project without a rotary cutter! Anybody up for it? Not me that’s for sure!
Hello all, Mary Ellen here.
What’s going on in your sewing and crafting space these days? I just finished a bunch of mason jar transformations, all using fabric, for a demo at the shop where I work. They all were fun, but I think I enjoyed working with the wool the best. It has been a while since I’ve done that. Some of you may remember our guild garage sales that we have had a few times. At the last one we had, I scored a bunch of wool from Betty L. who was moving south. Some was already felted, and the rest I did myself. There was enough fill 2 Rubbermaid storage bins. I’ve made many a project using the wool and have barely made a dent. I’ll include a photo of the jar cuffs I made with the wool. This project got me thinking that I should do more with wool, that I’d better get going on gifts for the holidays, and that we ought to have another guild garage sale sometime. (There’s an idea for our new 2nd vice presidents if you’re looking for a program.)
My next demo project for the shop involves folded fabric stars. They are showing up in lots of “quilty” catalogs these days. I’m seeing Christmas ornaments (balls and pine cones in particular) on lots of Pinterest boards too. My first folded star, from a pattern of long ago, was a round star mounted in a quilting hoop that hung on the wall in my kitchen. And yes it was in dusty rose and a chalky blue. (There weren’t many other choices in quilting cottons back then!)
I was chatting with one of our guild members, Irene J, today about the first time we made this sort of star. MY pattern from yesteryear is dated 1980. It is obviously typed on a typewriter and photocopies. We both remembered NOT HAVING A ROTARY CUTTER to use–gasp! We had to cut all of the squares with cardboard templates, using scissors.
from Wikipedia “The first rotary cutter was introduced by the Olfa company in 1979 for garment making, however, it was quickly adopted by quilters. Prior to the invention of the rotary cutter, quilters traced handmade templates of the necessary shapes onto the wrong side of fabric and added 1/4-inch seam allowances all around. Templates were often handmade of (cereal box type) cardboard and the pencil wore down the edges with repeated tracings, rendering them inaccurate; new templates would be made several times until all the patchwork pieces were cut. Pieces were usually cut one at a time with dressmaking scissors, which were often heavy and had long blades that were designed for cutting large pieces for garments but were cumbersome to use for cutting small pieces for patchwork.”
Doesn’t that sound like fun?! Irene and I got laughing about those first days of our quilting bug and wondered why we stayed with it?! Certainly we spent much more time in the prep process than we do now. And with much less accuracy as well. You girls who have always had a rotary cutter in your quilting tools don’t know how much fun you missed (chortle!)
Here’s a pattern link for a quick pin caddy. I like the idea of repurposing bits of tattered or stained embroideries. I picked up a bag of such at the end of the day at a garage sale to save them from the trash bin. This would be a good way to give them new lives; perhaps at our quilt show boutique they could find new homes. This too would be a nice small giftie for sewing buddies at the holidays. Can’t hurt to have a few yourself in your various project bags. Click here.
Do you remember the pre-rotary cutter days of quilting? Did you ever make one of those stars?